Sarah Lucas’s Feet, 165 x 133 cm. From the book TITTIPUSSIDAD p.208, off-white heavyweight paper, dead-matt finish, full-strength carbon-black pigment. Each image photographed and printed by myself. Supplied as rolled wallpaper in 3 vertical strips for direct pasting onto a wall, or mounted for hanging. Order Enquiries / Availability: Sadie Coles HQ

TITTIPUSSIDAD | Weightiest visual art books of the year! – the top-ten selected by Dazed Digital.

‘LUV IT!  Nob-A-Day!  Excellent tome!’, Gregor Muir, Executive Director of the ICA. Take it to your local pub or Michelin-star restaurant, get your copy here.. Secession, Vienna |  Sadie Coles HQ, London | CFA, Berlin More Info: noB – the book

Electronic quad surround-sound performance | Whitechapel Gallery London | Situation – Absolute Beach Man Rubble. An orchestral environment of 14 or more simultaneous sound generators, each consisting of evolving waveforms – rapidly morphing from white-noise to complex sine.  Generators spread over 8 instruments, their location manipulated by 2 joysticks .  Joysticks also simultaneously modifying sound characteristics such as Frequency Modulation. 28 November 2013 | 8pm Event Evening: ...

A five-part book in texts and images, offering a rare insight into the process of making behind Sarah Lucas’s sculptural works:  molding a nobby prize marrow – a ‘Stanway John’ molding an actual nob – a penis, hard-core with plenty of Vaseline, and resulting plaster-cast Penetralia a nob-negative dug into the ground – and resulting concrete-cast Penetralius hands-on forming the original clay Oboddaddy – human-sized nob – with a pair of fried eggs 156 pages | ...

Photographs, Julian Simmons.  6 prints, each approx. 240 x 160 cm. TIT-CHAIR PORTRAIT, 2012 SQUAB SQUAW, 2010 TITTIPUSSIDAD PORTRAITS x 4, inc Sarah’s Feet, 2013. Printed by myself on off-white heavyweight paper, dead-matt finish, with full-strength carbon-black pigment. Supplied as rolled wallpaper in 3 vertical strips for direct pasting onto a wall or canvas mounting. Shown as part of Sarah Lucas: SITUATION Absolute Beach Man Rubble, 2 October – 15 December 2013, Whitechapel Gallery, London. Order Enquiries / Availability: Sadie Coles HQ       ...

  Feature 72:09 | Trailer 1:11 REALIDAD – SARAH LUCAS Y AMIGOS EN MÉXICO A month in Mexico with British artist Sarah Lucas Camera / Editor / Colour / Music : Julian Simmons Music from the album TOWER Companion to the book : TITTIPUSSIDAD SCREENING : MEXICO | 17 March – 7 April 2018 | KURIMANZUTTO, Rafael Rebollar 94, San Miguel Chapultepec 11850, México D.F. PREVIOUS SCREENINGS : BERLIN | 13 June – 31 July 2014 | CONTEMPORARY FINE ARTS GALERIE GMBH, Am Kupfergraben 10, 10117 Berlin Mitte BRICK-FACTORY EXCERPTS ...

Two day installation of PERCEVAL, a sculpture by Sarah Lucas, 2010.  The middle of a Suffolk field, snowing in the depths of winter, ground not quite frozen enough …the truck carrying the 6-tonne bronze horse & cart becoming stuck – so the story unfolds… and apt for the Perceval legend, a prismatic ice-crystal halo around the sun – a grail in the sky! 17 minutes | SD | Stereo | Music ...

TITTIPUSSIDAD Sarah Lucas in Mexico A book by Julian Simmons 15 October 2013 6-8pm, book launch + film, Sadie Coles HQ, 62 Kingly Street, London W1 Hardback | 648 pages | 705 photographs | 41,000 words | 340 x 253 x 58mm “it’s the bible this fucking book!” Published by Sadie Coles HQ Available now! from Sadie Coles HQ. More Info: TITTIPUSSIDAD

ORDER  / BUY NOW from Sadie Coles HQ | AMAZON TITTIPUSSIDAD | Sarah Lucas in Mexico – a book by Julian Simmons | Edition 1200 copies | ISBN 978-0-9926556-0-0 | £120 Hardback | 648 pages | 705 photographs | 41,000 words | Sewn-section cold-glue binding | Edge-coloured | 340 x 253 x 58mm Sculptures Sarah Lucas 2012, made in Oaxaca 27 March ...

Live electronic surround-sound performance: 8 June + 22 June 2013 .  More Info: NUMBERSTREAM100 + quad speaker diffusion running from 9 – 30 June throughout the Benjamin Britten centenary Aldeburgh Festival | part of SNAP 2013 / Aldeburgh Music, Snape Maltings, Suffolk, IP17 1SR. 8 June 2013: • * BB Bells | Pure Numberstream | White-noise-based string model inst. • * Red House Helicopter | Pure Numberstream | Splicing dual-wavetable • * EPILOGUE, Serenade for Tenor, Horn ...

23 Feb – 26 May 2013 Film currently showing as part of Franz West ‘Where is my Eight?’, MUMOK, Vienna, Austria. More Info: ENERGY DAIRIES

Rare 9 minutes of slug sexual foreplay on a bed of Swiss Chard.  A microcosmos that brings to mind the title sequence of Douglas Trumbull’s Silent Running! SCREENINGS: LONDON | SHORT FILM FESTIVAL, Horniman Museum, backdrop to the live harp music of Serafina Steer.  16 Jan 2014. LONDON | SITUATION ROMANS, First floor, 4 New Burlington Place, W1.  16 Feb – 16 Mar 2013. 9 minutes | HD | Mono | filmed 4 Sept ...

Electronic Britten Score Interpretations via Pure-Data Fast Fourier Transform, played with Pure-Data NUMBERSTREAM instruments within a 4-channel environment. 8 + 22 June 2013 live electronic surround-sound performance | outdoor derelict-space opposite Hoffmann Building, part of SNAP 2013, Aldeburgh Music, Snape Maltings, Suffolk, IP17 1SR | map | + quad speaker playback running from 9 – 30 June 2013 throughout the Benjamin Britten centenary Aldeburgh Festival. Utilising Fast Fourier ...

A1 poster / A3 poster / A5 invite for the Koestler Trust – Art by Offenders. ‘FREE’ curated by Sarah Lucas, 2012, the Royal Festival Hall, South Bank Centre, London. Photography and design : Julian Simmons.  

JUBILEE BOOTS, architectural large-scale wallpapers at SITUATION ROSE BUSH, SITUATION, Sadie Coles, 4 New Burlington Place, London.  June – July 2012. Sculpture : Sarah Lucas Photography + Union Jack colouring : Julian Simmons Architectural-scale wallpaper printed to any size; installation photographs here : SITUATION ROSE BUSH Order Enquiries / Availability: Sadie Coles HQ

Photograph / Design / Layout : Julian Simmons Advert : ARTFORUM, February 2012 Exhibition : SITUATION – Sarah Lucas, 16 Feb 2012  Gallery : SITUATION, Sadie Coles, 4 New Burlington Place, London

TOWER by Julian Simmons Recorded in a c.1800 Napoleonic military Martello tower overlooking the North Sea. Recorded mostly over two days in winter, real-time abstract responses to observing changing sea states, storms, aerial atmospherics, shipping lanes and fog horns. Tracks 1 – 6 / acoustic instruments into Pure-Data; live headphone monitoring of microphone signal-processing with two serially-connected looping stereo memory-banks providing complex offset & overlay. Track 7 / Pure-Data only. Classical guitar, alternative tuning, Kimbara model no. 76, 1970’s, ...

This CD presents direct-take recordings of multiple Pure-Data NUMBERSTREAMS played in real-time by modifying embedded variables; the two-track files were saved live within PD as the final output; no samples of actual instruments, field recordings, MIDI, or post-mixing employed. Each piece played experimentally according to a score containing brief instructions with open time periods, varying to the performance situation. 1  SNAPE | THE SLIDER 2  ORFORD | PAGODA LAB 3  OSLO | LO SO SO ...

Live Random Intent 2.1  10:27 . Random Intent: this project started as a back-room diversion from a party. I’d got talking to Don and Ted about creating sounds mathematically, building that math into instruments, then playing it. I deemed a practical exposition should be had. From a laptop balanced on a sofa, onto an empty PD screen I began to add objects – vigilant they’d not be overly advanced. Mainly ...

Egg Distortion / Design / Layout : Julian Simmons Advert : ARTFORUM, Summer 2011  Exhibition : LUCAS GELATIN BOSCH, 17 July – 6 Nov 2011 Gallery : Kunsthalle Krems, Krems, Austria  

10 images from the privately-published PENETRALIA book. Sculptures Sarah Lucas; material: plaster, unique casts.  Photographed & printed by Julian Simmons. Limited edition prints, 80 x 106-110cm. Paper: traditional Arches Rives printmaking paper. 100% cotton-rag, uncoated, cream, no optical brighteners, PH neutral, 280gsm. Ink: carbon-black pigment, full strength. SKULL WHAND WHAND DRUID WHAND | MARTYR SWAN | EROS DAYO | DRUID WHAND

New Zealand, South Island. 81 x 114 cm  / 32 x 45 inch, limited edition of 10, framed. Archival pigment ink on 308 gsm Hahnemuhle Photo Rag, printed by Julian Simmons. Order Enquiries / Availability: UK Sadie Coles HQ, NZ Two Rooms

Photograph & Design : Julian Simmons Format : large postcard, uncoated heavy-weight card, A5. SARAH LUCAS NUZ SPIRIT OF EWE 4 March – 9 April 2011 Two Rooms, 16 Putiki Street, Newton Auckland 1021, New Zealand. The ‘SPIRIT OF EWE’ image is available in a large-format limited edition print of 10 printed by myself, 81 x 114 cm  / 32 x 45 inch, framed.

Limited edition DVD double gatefold A talk between Sarah Lucas, Franz West and Andreas Reiter Raabe, music by Philipp Quehenberger RA Schools Event, ‘Discussion on art, music and literature, with frequent sonic disruptions’ | Location : Royal Institution London | Date : 21 June 2010 Filming, Video Synthesis, Text Overlays : Julian Simmons Graphics, Packaging Design : Julian Simmons Publisher : Other Criteria Availability : UK £30 + postage, last 6 copies, use CONTACT menu ...

  Filming, Graphics, Packaging Design : Julian Simmons Further details & product photos / order info : ENERGY DAIRIES

Photograph / Design / Layout : Julian Simmons A3 private-view card, 41.9 x 29.7cm Exhibition : PENETRALIA – Sarah Lucas – Julian Simmons, 18 Oct – 23 Dec 2010 Gallery : Gladstone Gallery, Brussels, Belgium Prints : LUVAH : THE KING    /    Book : PENETRALIA

‘Luvah’ phallic print, limited edition. Photographic detail of the Luvah sculpture by Sarah Lucas. . Penetralia, Nov 18 – Dec 23 2010, Sarah Lucas + Julian Simmons, Gladstone Gallery, 12 rue du Grand Cerf, Brussels, Belgium 1000 Sculpture Sarah Lucas, material plaster, unique cast.  Photographed & printed by Julian Simmons. Paper: Traditional Arches Rives ...

‘The King’ phallic prints, limited edition. Photographic detail of the lower of four branch ‘picks’ comprising the hanging unique plaster sculpture – The King, by Sarah Lucas. Photographed & printed by Julian Simmons. Triptych: The King left, The King centre, The King right.  2010. Paper: Traditional Arches Rives printmaking paper. 100% cotton-rag, uncoated, cream, no optical brighteners, PH neutral, 280gsm. Ink: Carbon-black pigment, full strength – no dilute/grey inks. Size: 754mm x 1032mm. Order Enquiries / Availability : ...

Photograph / Design / Layout : Julian Simmons Advert : ARTFORUM, May 2010 Exhibition : NUDS CYCLADIC – Sarah Lucas, 12 May – 12 Sept 2010 Gallery : Museum of Cycladic Art, Athens, Greece